By the late afternoon of October 10, 2025, The Breakers had settled into a quiet glow as guests arrived for what appeared to be a classic, intimate ceremony. Sarah Rollins Gonzalez And Richard Gonzalez got married in front of 130 of their closest friends and family members in a quiet, focused and deeply personal moment. Nothing in the room suggested what would happen later that night, when a surprise occurred DJ Steve Aoki would transform the ballroom into something closer to a concert than a reception.
As the evening progressed, the tone began to change. The music grew louder. The pace quickened. Beneath chandeliers and expansive floral arrangements, the celebration slowly gained momentum, building toward a late-evening moment that would completely transform the room.
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“I couldn’t commit to just one theme,” Sarah says. “Because the same theme cannot contain both sides of who we are.”
Rather than choosing between intimacy and spectacle, Sarah and Richard designed a wedding that made room for both, honoring the seriousness of the commitment they were making and the joy of celebrating it fully and unapologetically.
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The ceremony: a sacred pause

The ceremony itself was deliberately silent. Designed in soft creams, ivories and golds, the space was warm and composed, elegant without excess. Light reflected softly off the polished surfaces, flowers softened the room, and eight violinists in black tie, elevated on suede-covered pedestals, filled the space with music that enveloped the guests rather than competing with the moment. Nothing in the setting suggested that the same room would later host a very different type of energy.
“There was an almost spiritual calm that Sarah and Richard wanted people to feel,” says Justin Scalzo of YSD Events, who led planning and production for the weekend. “Each moment, from the welcome dinner to the reception, was designed to be distinct, yet connected through texture, light and restraint. »
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For Sarah, this inward focus mattered. “When you are in love, you want to celebrate it,” she says. “But you also want to protect it. That part of the day was about keeping it sacred.”
This intention carried over into what they wore. After experimenting with lighter silhouettes, Sarah chose a custom Elie Saab dress that was architectural and grounded, matching the weight of the wishes. “It looked like the Rolls-Royce of wedding dresses,” she says. “Heavy at the best of times. » The night before, she wore a party look by Carlos Mannings of Mannings Atelier to the welcome dinner.
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Richard complemented her in a classic Tom Ford tuxedo, understated and precise. Together, they stood at the center of a ceremony that felt less like a performance and more like a promise, shared quietly with the people who knew them best.
Hair and makeup by Ariel Diaz and Amanda Maxwell emphasized softness and natural polish, while Birch Event Design layered the ceremony and reception spaces with florals and finishes that transitioned seamlessly later in the evening from refined to fully energetic.
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Intimacy as a luxury

Although the couple briefly considered a destination wedding, they ultimately chose Palm Beach so almost everyone they loved could be there. With 130 guests and a turnout close to 98 percent, the celebration was more personal than sprawling.
“That intimacy changed everything,” says Richard. “It allowed us to design the experience around people, not just production.”
The smaller scale also created room for customization, allowing The Breakers culinary and events teams to offer highly personalized moments of food, service and entertainment that would have been impossible at a larger wedding.
The Shift: When the Night Awakens

As daylight faded and guests entered the reception, the change in energy was subtle at first. The room didn’t turn over all at once. It built gradually, as if preparing for something bigger.
Inspired by Miami at dusk, that time when the sun disappears and the city lights come alive, the ballroom glowed under cloud-like flowers and oversized crystal chandeliers woven into the flowers. The space seemed looser, lighter and full of anticipation.
“What we wanted,” says Sarah, “was that feeling of falling in love. The excitement, the building, the heartbeat.”
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Dinner was a slow climb. The music grew louder as the night wore on, setting the pace for what was to come. Saxophonist Al Sax, arriving from St. Barthélemy and inspired by the couple’s favorite evenings at Nikki Beach, moved around the room, climbing onto custom-made tables designed not only for performance, but also for interaction.
“One of the most unique elements,” notes Justin, “was building tables with fully supported walkways. This allowed the artists, and eventually the guests, to enter into the experience.”
The entertainment was curated by Elan Artists, with each musical moment intentionally layered toward a late-night peak.
Fashion as transformation

For the reception, Sarah and Richard transformed into personalized Chrome Hearts, an unexpected choice that felt more personal than performative. The idea began a few months earlier in Saint-Barthélemy, when Sarah discovered a rare pearl and diamond Chrome Hearts necklace, one of only two in existence. A conversation with founders Richard Stark and Laurie Lynn Stark followed, leading to something never-before-seen: the first documented Chrome Hearts wedding dress, paired with a custom tuxedo for Richard.
“Someone told us they weren’t really a brand, they were a family,” says Sarah. “A husband and wife creating together. That meant the world to us.”
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Sarah’s corseted dress, featuring a train designed for movement, stayed in place for six uninterrupted hours on the dance floor. Richard’s gaze dipped into what Sarah calls his “bad boy glamor side,” a contrast few guests had seen before.
“The ceremony was about our love story,” Richard says. “The reception was to celebrate him.”
The revelation

The turning point of the evening arrived under the cover of tradition. As the couple walked towards the cake, the room fell silent. Guests were asked to turn away. There was a pause, just long enough to feel the anticipation building.
Then the curtains opened. The LED walls went up, the lighting went concert-scale, and DJ Steve Aoki entered the room, instantly resetting the energy. In just a few seconds, the wedding turned into a real dance party.
“It was time,” Justin said. “Liberation. All has finally broken loose.”
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What remains

By the end of the night, it wasn’t just the scale of the celebration that lingered, but also the feeling of being there.
“Our hope,” says Sarah, “was that people would feel a little more in love themselves.”
Planned in two distinct movements, one quiet and sacred, the other loud and electric, Sarah and Richard’s wedding reflects the full extent of their identities. Not just an unforgettable celebration, but an experience designed to stay with people long after the music has faded.





























