Eudon Choi Pre-Fall 2024
In recent years, Eudon Choi has taken has approaching her before the fall And seaside resort collections as palace cleaners. Her inclination has has been has here What East (has less has First of all a look) A more bare offer of her chameleon wardrobe staples: layered knitwear, coats with detachable panels And sleeves, Or pants with inventive fixings And belts, as just A little examples.
Her last collection married This out of season commercial rigor with her instinct For A well judged creative reference; For THE last, he look at has THE work of Lee Ufan, THE influential Korean artist WHO served as A fundamental member of THE Mono-ha movement that emerged Since after the war Japan as A kind of earthy, philosophical cousin of art poverty. Choi caught A major Ufan exposure while he was to visit Seoul, Or he First of all qualified as A men's clothes designate, last spring, And Also quoted THE contemporary art boom In Korea (most recently supported by THE introduction of THE Curly Art Fair has Seoul) as particularly inspiring. "He encouraged Me has to focus on THE materials I was using," said Choi. "HAS band things back has their essence. »
Along with a lot of Choi classics: blouses with cut sleeves And panels attached by buttons, THE suspicious draping of her bias cut shirt Dresses, ribbed knitwear—there were a few new, come out pieces In THE mix. THE First of all look, consisting of A asymmetric riff on A trench coat with A Single epaulette And corresponding to pants, was both smooth And practical (And came In A recurrent shadow of deep Marine that thoroughly echoes THE counter-intuitively vibrant neutral of Ufan work). Somewhere else, shimmering metallic satin And A pictorial brushstroke to print with A deliberately messy bleed around THE edges added A further note of artistic flair, while sculptural of wool adapted coats And luxuriously soft knitted tanks look at ready has fly disabled THE shelves. Once Again, Choi Free A fully accomplished wardrobe of clever, grown up clothes For her following of clever, grown up women.
In recent years, Eudon Choi has taken has approaching her before the fall And seaside resort collections as palace cleaners. Her inclination has has been has here What East (has less has First of all a look) A more bare offer of her chameleon wardrobe staples: layered knitwear, coats with detachable panels And sleeves, Or pants with inventive fixings And belts, as just A little examples.
Her last collection married This out of season commercial rigor with her instinct For A well judged creative reference; For THE last, he look at has THE work of Lee Ufan, THE influential Korean artist WHO served as A fundamental member of THE Mono-ha movement that emerged Since after the war Japan as A kind of earthy, philosophical cousin of art poverty. Choi caught A major Ufan exposure while he was to visit Seoul, Or he First of all qualified as A men's clothes designate, last spring, And Also quoted THE contemporary art boom In Korea (most recently supported by THE introduction of THE Curly Art Fair has Seoul) as particularly inspiring. "He encouraged Me has to focus on THE materials I was using," said Choi. "HAS band things back has their essence. »
Along with a lot of Choi classics: blouses with cut sleeves And panels attached by buttons, THE suspicious draping of her bias cut shirt Dresses, ribbed knitwear—there were a few new, come out pieces In THE mix. THE First of all look, consisting of A asymmetric riff on A trench coat with A Single epaulette And corresponding to pants, was both smooth And practical (And came In A recurrent shadow of deep Marine that thoroughly echoes THE counter-intuitively vibrant neutral of Ufan work). Somewhere else, shimmering metallic satin And A pictorial brushstroke to print with A deliberately messy bleed around THE edges added A further note of artistic flair, while sculptural of wool adapted coats And luxuriously soft knitted tanks look at ready has fly disabled THE shelves. Once Again, Choi Free A fully accomplished wardrobe of clever, grown up clothes For her following of clever, grown up women.
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