Are these Y-fronts? Fashion trends from the 2024 Oscars designed to set social media on fire

The Oscars red carpet isn't what it used to be. Thank God. Because it used to be a real beauty contest. It doesn't matter that this is a roster of talented, hard-working women with the resilience to succeed against Hollywood's impossible odds. At the Oscars, the pretty ladies were lined up Miss World style to be judged on their beauty. in a corset boned dress, while the men took care of the important things, like collecting best director awards.

The red carpet is now an entertainment industry spinoff its own right. It's an effective platform to tell the world an actor's story, as Lily Gladstone did, honoring her position as the first Native American nominee in her category with a dress co-designed by the creative director of Gucci, Sabato De Sarno, and the indigenous artist. Joe Big Mountain, with traditional “quillwork” embroidery on the neckline and velvet cape. It can also be an extremely well-paid side hustle: Emma Stone is reportedly paid around $2 million a year by Louis Vuitton, which dresses her for all major appearances. These Oscars weren't the best time for this particular partnership: Stone's mint green peplum dress made headlines for all the wrong reasons when the zipper broke as she walked to the stage to recover your statuette.

Lily Gladstone arrives at the Oscars.View full screen image

Dresses have become more interesting. Commenters need new talking points, now that bragging about how flattering a color is to skin tone or praising the bounce of a blow-dry is considered a bit outdated, and after the trend for high-definition close-ups on manicures was fortunately put aside. misery. Those photographed realized the benefit of choosing fashion that has a story, giving online chat something to cling to. Blunt's Schiaparelli dress, designed with straps that levitated several inches above her...

Are these Y-fronts? Fashion trends from the 2024 Oscars designed to set social media on fire

The Oscars red carpet isn't what it used to be. Thank God. Because it used to be a real beauty contest. It doesn't matter that this is a roster of talented, hard-working women with the resilience to succeed against Hollywood's impossible odds. At the Oscars, the pretty ladies were lined up Miss World style to be judged on their beauty. in a corset boned dress, while the men took care of the important things, like collecting best director awards.

The red carpet is now an entertainment industry spinoff its own right. It's an effective platform to tell the world an actor's story, as Lily Gladstone did, honoring her position as the first Native American nominee in her category with a dress co-designed by the creative director of Gucci, Sabato De Sarno, and the indigenous artist. Joe Big Mountain, with traditional “quillwork” embroidery on the neckline and velvet cape. It can also be an extremely well-paid side hustle: Emma Stone is reportedly paid around $2 million a year by Louis Vuitton, which dresses her for all major appearances. These Oscars weren't the best time for this particular partnership: Stone's mint green peplum dress made headlines for all the wrong reasons when the zipper broke as she walked to the stage to recover your statuette.

Lily Gladstone arrives at the Oscars.View full screen image

Dresses have become more interesting. Commenters need new talking points, now that bragging about how flattering a color is to skin tone or praising the bounce of a blow-dry is considered a bit outdated, and after the trend for high-definition close-ups on manicures was fortunately put aside. misery. Those photographed realized the benefit of choosing fashion that has a story, giving online chat something to cling to. Blunt's Schiaparelli dress, designed with straps that levitated several inches above her...

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