Canon R10 review: 4K and fast shooting speeds for under $1000

Image credit: Steve Dent/Engadget

The best feature of this camera is the AI-powered Dual Pixel autofocus, similar to what you find on the R7 and even the professional EOS R3. This allowed me to keep fast-moving subjects in focus, either by keeping the focus point on them or using face and eye tracking. You can track people, animals and vehicles, but it doesn't really support touch tracking like other Canon models.

With people or animals, it will fluidly follow the head or eyes, and do a great job of switching between the two seamlessly. For racing vehicles, it attempts to focus on the driver's helmet. The system is responsive, reliable and nearly foolproof, tracking subjects smoothly whether you're in single or extended AF mode. This makes it ideal for beginners who may not want to delve into the manual to understand complex subject tracking settings.

Image quality Gallery: Canon EOS R10 Image Gallery | 31 Pictures Gallery: Canon EOS R10 Image Gallery | 31 Pictures

The R10 delivers accurate color with warm skin tones as most photographers desire. JPEGs offer a good balance between sharpness and noise reduction, while RAW files offer decent but unspectacular dynamic range. This leaves a fair amount of room for tweaking the images.

Low-light performance is a weak point, however. You can consider ISO 6400 as a hard limit, and even then you'll get a lot of noise if you try to boost blacks in underexposed photos. ISO 12,800 is possible in a pinch, but I wouldn't recommend it if you need a clear shot. The lack of built-in stabilization also means you're likely to get blurry photos at shutter speeds slower than 1/100th, unless your hands are incredibly steady.

As I've often forgotten, however, the R10 has a built-in flash that will at least get you a clear but not very artistic shot if you don't have enough light. Just be sure to reduce the flash output in the settings to avoid blowing on your subject.

Video

< p>Steve Dent/Engadget

The R10 is one of the best APS-C cameras for video. You get crisp, undersampled 4K at 30fps or less, and cropped video at 60fps that's not quite as sharp but certainly still usable. If you want super slow, it can shoot at 120fps at 1080p, but the video is obviously even smoother.

It's also the only sub-$1000 APS-C camera I can think of that offers 10-bit video via HDR PQ mode. However, unlike most log videos, you won't find a standard lookup table (LUT) for it in Adobe Premiere or other editing systems. So unless you're playing the video directly on an HDR TV, it can be tricky to work with.

Autofocus is not as good for video as it is for stills, as the system sometimes focuses on the background instead of the subject. This doesn't happen often though, so the video I shot was generally sharp except for a few instances.

The lack of built-in IS means you'll have to use stabilized lenses for handheld video. And for something like vlogging, you'll also want to enable electronic stabilization or even use the enhanced IS. Electronic IS adds significant cropping, on top of the 1.6X APS-C crop, so both kit lenses are barely wide enough on the 18mm end of the zoom.

Steve Dent/Engadget

Vlogging at 60fps adds another degree of difficulty, as you get an extra 1.56x crop, so the 18mm lens almost becomes a 50mm lens. While vlogging, I found I could barely fit my head into the frame, even using a Joby Gorillapod to add extra arm length.

Rolling shutter can also be an issue, especially for oversampled 4K 30p video, although it's much less of a problem than in Sony's APS-C cameras. It improves in 4K 60p mode as there's less sensor to read, but again you're faced with some serious cropping and softer footage.

As with stills, video quality is excellent with dynamic range on par with competing cameras, although a bit less than what Sony offers. The oversampled video is very crisp and again the colors are...