Chiharu Shiota's String Art installations highlight the ties that unite us
Chiharu Shiota's String Art installations highlight the ties that unite us
Subscribe
has
Do:
For
more
great
articles
book
has
your
mailbox.
To have
You
Never
admired
THE
bright
threads
of
A
spiders
the Web
In
THE
Morning
dew
And
request
What
A
super-size
the Web
could
look
as?
How
would be
It is
a lot
patterns,
angles,
And
Connections
translate
In
reality?
Chiharu
Shiota
signature
art
facilities
come
close,
using
a lot
interconnected
threads
has
explore
abstract
Notions
of
meaning
And
memory.
Born
In
Japan
In
1972,
Shiota
has
work
as
A
artist
For
THE
last
26
years
In
Berlin.
She
doesn't
often
plan
her
pieces
In
advance,
preferring
has
to use
THE
existing
ground
space
as
She
see
adjust.
A
Single
facility
generally
uses
250
has
300
kilometers
of
her
selected
material
—
almost
200
kilometers
value
of
black
Or
red
thread,
rope,
chain,
And
wool.
For
Shiota,
THE
art
process
East
not
SO
a lot
about
THE
idea
as
he
East
about
THE
experience.
"THE
entrance
East
THE
most
important
part,"
She
said.
"When
I
together
up
has
THE
exposure
space,
I
create
THE
path
For
THE
visitors
First of all.
SO,
We
to start
with
THE
net
on
THE
ceiling
And
on
THE
back
of
THE
wall,
And
SO
We
connect
he
with
THE
ground.
I
TO DO
art
In
THE
space,
as
paint
on
A
cloth. »
Shiota
Also
love
has
to integrate
hundreds
Or
even
thousands
of
every day
household
objects
In
THE
mass
of
son.
Keys,
rocks,
papers,
glasses,
shoes,
clothes,
boats,
chairs,
And
more
hang
suspended
In
in the air
has
illustrate
THE
connected
nature
of
even
THE
most
banal
objects
In
THE
human
experience.The
size
And
ladder
of
Shiota
facilities
are
impressive,
but
to focus
uniquely
on
those
aspects
lack
THE
most
important
part -
THE
memories
implicit
In
THE
empty
the spaces.
"When
I
begin
weaving
In
A
empty
apartment
For
A
exposure,
I
request
THE
conservative
WHO
lived
there
Before,
And
they
said
A
old
women.
I
thought
about
her
life,
how
She
used
THE
the apartment
space,
Why
She
stayed
there,
And
THE
traces
She
LEFT
behind
—
even
However
Identifier
Never
encounter
her.
Especially
When
people
die,
THE
memory
stay. " A lot
of
THE
ordinary
items
She
understand
were
LEFT
behind
has
Chip
the steps,
And
She
chooses
them
because
they
were
SO
important
has
their
owner
In
life
but
to have
lost
all
meaning
In
the death.
"THE
material
East
not
SO
important,"
Shiota
States,
"but
It is
meaning
East
a lot
more
interesting.
Contemporary
art
has
No
concrete
answer,
And
It is
important
that
everyone
can
feel
differently. »
Subscribe
has
Do:
For
more
great
articles
book
has
your
mailbox.
To have
You
Never
admired
THE
bright
threads
of
A
spiders
the Web
In
THE
Morning
dew
And
request
What
A
super-size
the Web
could
look
as?
How
would be
It is
a lot
patterns,
angles,
And
Connections
translate
In
reality?
Chiharu
Shiota
signature
art
facilities
come
close,
using
a lot
interconnected
threads
has
explore
abstract
Notions
of
meaning
And
memory.
Born
In
Japan
In
1972,
Shiota
has
work
as
A
artist
For
THE
last
26
years
In
Berlin.
She
doesn't
often
plan
her
pieces
In
advance,
preferring
has
to use
THE
existing
ground
space
as
She
see
adjust.
A
Single
facility
generally
uses
250
has
300
kilometers
of
her
selected
material
—
almost
200
kilometers
value
of
black
Or
red
thread,
rope,
chain,
And
wool.
For
Shiota,
THE
art
process
East
not
SO
a lot
about
THE
idea
as
he
East
about
THE
experience.
"THE
entrance
East
THE
most
important
part,"
She
said.
"When
I
together
up
has
THE
exposure
space,
I
create
THE
path
For
THE
visitors
First of all.
SO,
We
to start
with
THE
net
on
THE
ceiling
And
on
THE
back
of
THE
wall,
And
SO
We
connect
he
with
THE
ground.
I
TO DO
art
In
THE
space,
as
paint
on
A
cloth. »
Shiota
Also
love
has
to integrate
hundreds
Or
even
thousands
of
every day
household
objects
In
THE
mass
of
son.
Keys,
rocks,
papers,
glasses,
shoes,
clothes,
boats,
chairs,
And
more
hang
suspended
In
in the air
has
illustrate
THE
connected
nature
of
even
THE
most
banal
objects
In
THE
human
experience.The
size
And
ladder
of
Shiota
facilities
are
impressive,
but
to focus
uniquely
on
those
aspects
lack
THE
most
important
part -
THE
memories
implicit
In
THE
empty
the spaces.
"When
I
begin
weaving
In
A
empty
apartment
For
A
exposure,
I
request
THE
conservative
WHO
lived
there
Before,
And
they
said
A
old
women.
I
thought
about
her
life,
how
She
used
THE
the apartment
space,
Why
She
stayed
there,
And
THE
traces
She
LEFT
behind
—
even
However
Identifier
Never
encounter
her.
Especially
When
people
die,
THE
memory
stay. " A lot
of
THE
ordinary
items
She
understand
were
LEFT
behind
has
Chip
the steps,
And
She
chooses
them
because
they
were
SO
important
has
their
owner
In
life
but
to have
lost
all
meaning
In
the death.
"THE
material
East
not
SO
important,"
Shiota
States,
"but
It is
meaning
East
a lot
more
interesting.
Contemporary
art
has
No
concrete
answer,
And
It is
important
that
everyone
can
feel
differently. »