Lafayette 148 New York Resort 2025
For THE last little years La Fayette 148 has has been implied In proof THE restoration of A early 18th century oil paint, Virgin In Prayer, by THE Venetian painter Julia Lama, through THE To safeguard Venice foundation. THE paint became THE inspiration For THE seaside resort collection, although In typical fashion For creative director Emilie Black-smith And her team, This supposed exploring And experiment with aspects not only of THE paint but THE culture surrounding that.
"Because THE paint was do In Venice In THE Baroque period, you go see touch of Baroque influence all along," She said has A appointment In her Brooklyn Marine Court exhibition room, showing disabled THE tiny beads surreptitiously embroidered In THE folds of A costs white skirt, THE lace details on adapted separates, And THE trellis on A knitted tunic with A lined hem. "Were A New York minimalist brand, SO having these contrasts East In himself A ornate concept."
Metallic floral jacquard In colors that fluctuated Since A kind of oxide mustard has money were supposed has recall THE patina that built on paintings on time and THE subsequent brightness that East discovered during A restoration process. On A boat neck vest And "ball gown" skirt that finished RIGHT above THE ankle, he was A modern, suspicious take on black tie bandage. A huge Donegal wool jacket that had specifications of money woven all along was A especially cool path has TO DO THE metallic history appropriate For each day.
Somewhere else, A pleated short sleeve tunic And corresponding to pants In A shadow of blue survey directly Since THE paint accidentally evoked Venice a lot lagoons. Smith take on A painter uniform - one white buttoned And egg shell jeans cleverly covered In paint stains - was A funky path has ground THE collection. Although he was another white buttoned, with A double portrait necklace that door on has THE back, that was THE discreet star of THE collection. A of THE best pieces In THE line up, not shot For THE lookbook Unfortunately, was A quilted And embroidered well fitted velvet jacket with A crew neck, In A "Pool Blue" that incarnated THE seasons influence - he had just THE RIGHT hint of THE suit of THE time, And seemed also adapted has be door with jeans Or paired with It is corresponding to dress. In other words, GOOD adapted For A women life.
For THE last little years La Fayette 148 has has been implied In proof THE restoration of A early 18th century oil paint, Virgin In Prayer, by THE Venetian painter Julia Lama, through THE To safeguard Venice foundation. THE paint became THE inspiration For THE seaside resort collection, although In typical fashion For creative director Emilie Black-smith And her team, This supposed exploring And experiment with aspects not only of THE paint but THE culture surrounding that.
"Because THE paint was do In Venice In THE Baroque period, you go see touch of Baroque influence all along," She said has A appointment In her Brooklyn Marine Court exhibition room, showing disabled THE tiny beads surreptitiously embroidered In THE folds of A costs white skirt, THE lace details on adapted separates, And THE trellis on A knitted tunic with A lined hem. "Were A New York minimalist brand, SO having these contrasts East In himself A ornate concept."
Metallic floral jacquard In colors that fluctuated Since A kind of oxide mustard has money were supposed has recall THE patina that built on paintings on time and THE subsequent brightness that East discovered during A restoration process. On A boat neck vest And "ball gown" skirt that finished RIGHT above THE ankle, he was A modern, suspicious take on black tie bandage. A huge Donegal wool jacket that had specifications of money woven all along was A especially cool path has TO DO THE metallic history appropriate For each day.
Somewhere else, A pleated short sleeve tunic And corresponding to pants In A shadow of blue survey directly Since THE paint accidentally evoked Venice a lot lagoons. Smith take on A painter uniform - one white buttoned And egg shell jeans cleverly covered In paint stains - was A funky path has ground THE collection. Although he was another white buttoned, with A double portrait necklace that door on has THE back, that was THE discreet star of THE collection. A of THE best pieces In THE line up, not shot For THE lookbook Unfortunately, was A quilted And embroidered well fitted velvet jacket with A crew neck, In A "Pool Blue" that incarnated THE seasons influence - he had just THE RIGHT hint of THE suit of THE time, And seemed also adapted has be door with jeans Or paired with It is corresponding to dress. In other words, GOOD adapted For A women life.
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