Missoni Men Fall 2023
Few Italian brands project a lifestyle as specific as Missoni. Stepping into its men's fall presentation, the spacious, bright space decked out with zigzag rugs, sofas, and cube seats for lounging, one almost expected to see members of the founding family and their pet bulldogs strolling by. any time.
For his second men's collection as creative director of Missoni, Filippo Grazioli declined the signature patterns of the house in cheerful colors and exalted its magic of knitting in search of something "cozy and comfortable".
It also expanded the brand's fashion expression to evening - scattering sequins across a nubby cardigan and weaving silver threads into a black shirt, t-shirt and slacks for a casual take on the black tie - and denim category, using lasers to etch space-dye and flame patterns onto a balmacaan and loose jeans.
Graziolo, who forged his experience working with Martin Margiela and Riccardo Tisci, turns for the first time towards menswear time in his career and built a broader and more modern wardrobe for the house that Ottavio Missoni launched in the 1950s.
He nodded to the founder's athleticism with tracksuits and jerseys baseballs hidden under languid suits instead of dress shirts. While a few of the cardigans screamed "grandpa," the designer leaned into more contemporary items, such as neat shirt jackets brightened up with waves of needle-punched colored mohair.
In the corner of the showroom were clothes not attributed to Graziolo, but representing the perimeter of the brand : Missoni Sport takes on a new life, offering anoraks, down jackets and vests for those who wish to live more colorfully.
Few Italian brands project a lifestyle as specific as Missoni. Stepping into its men's fall presentation, the spacious, bright space decked out with zigzag rugs, sofas, and cube seats for lounging, one almost expected to see members of the founding family and their pet bulldogs strolling by. any time.
For his second men's collection as creative director of Missoni, Filippo Grazioli declined the signature patterns of the house in cheerful colors and exalted its magic of knitting in search of something "cozy and comfortable".
It also expanded the brand's fashion expression to evening - scattering sequins across a nubby cardigan and weaving silver threads into a black shirt, t-shirt and slacks for a casual take on the black tie - and denim category, using lasers to etch space-dye and flame patterns onto a balmacaan and loose jeans.
Graziolo, who forged his experience working with Martin Margiela and Riccardo Tisci, turns for the first time towards menswear time in his career and built a broader and more modern wardrobe for the house that Ottavio Missoni launched in the 1950s.
He nodded to the founder's athleticism with tracksuits and jerseys baseballs hidden under languid suits instead of dress shirts. While a few of the cardigans screamed "grandpa," the designer leaned into more contemporary items, such as neat shirt jackets brightened up with waves of needle-punched colored mohair.
In the corner of the showroom were clothes not attributed to Graziolo, but representing the perimeter of the brand : Missoni Sport takes on a new life, offering anoraks, down jackets and vests for those who wish to live more colorfully.
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