Alvina Chamberland’s “Love the World or Get Killed Trying” is an ode to the complexity, pain, and beauty of trans life

GOOD, Unfortunately, not while I was in writing, because I did not have read her Again; I will get has her In A second. My line For My work East mostly cis women, And It is A that understand Jamaica Kincaid, Arundhati Roy, Daisy Duras, Clarisse Reader, Sylvie Plath, Ingeborg Bachmann; these are THE people I have has been In Communion with as I shape My own voice, SO has talk. What I did Finally read, However, because he came out In Swedish In 2021, East Bad Girls, Or The ace Malas, by Camila Sosa Villada. Just as I as has call My book "Magic brutalist,” I would be call hers THE even, because were both functioning with these more fantastic, lyrical, ecstatic, poetic elements And putting them In reality while be very, very brutal about how violent that reality can be. I think Bad Girls East A masterpiece; It is different Since mine In THE topics that he attacks And THE perspective that he attacks them Since, but I felt that What She wrote East such A masterpiece In What It is trying has represent. I to have had several experiences that are closer has What he depicted, which East This community between trans sex workers, but I felt that She did he SO GOOD that I don't do it to have has TO DO he. [Laughs.]

Love THE World Or Get Kill Try East less about trans community that THE introspection of A women WHO arrived has be trans, And that means that A plot of those experiences And thoughts are filtered through that lens, but In general, It is more about exploring universal introspective themes of desire And love And the death; these types of themes that are common In literature, but that trans women to have not has been given THE RIGHT has explore because were always catalog In talk about trans problems.

East there Nothing You particularly hope people take far Since This book?

THE First of all thing East THE literary craftsmanship. I Really to want people has see he as A work of literature And see My Talent as A writer, instead of just saying, "Oh, It is important that A trans women wrote This work." It is THE First of all And first of all important thing, And SO far, reactions I have got to have brought Me A plot of joy, because I was afraid he wouldn't he be SO. THE second thing East THE relationship between right Men And right trans women, because It is A that East SO infected And There is SO a lot heartbreak And SO a lot violence And misunderstanding And false idea. THE desire East everywhere In A trans women life, but publicly It is almost nowhere. This hypocrisy And This divergence needs has END, And I hope My book can be A part of that, not necessarily In THE path that A non-fiction book would be be, but through THE path A fiction book can TO DO that, which East has be SO brutally vulnerable And emotional And TRUE that A bridge East shape between different humans with enormously different of construction positions. I do not have compromise with Nothing that I have writing In THE book; I to have has been extremely TRUE has My own vulnerable humanity, And I think It is Why I have had a lot right, male readers of THE book WHO In fact love he. I think they maybe would be not to have accessed A non-fiction book In THE even path, because non-fiction doesn't TO DO that Rising of emotional building of bridges, which I think East Ultimately What has has be do In order For of construction bridges has be built.

Alvina Chamberland’s “Love the World or Get Killed Trying” is an ode to the complexity, pain, and beauty of trans life

GOOD, Unfortunately, not while I was in writing, because I did not have read her Again; I will get has her In A second. My line For My work East mostly cis women, And It is A that understand Jamaica Kincaid, Arundhati Roy, Daisy Duras, Clarisse Reader, Sylvie Plath, Ingeborg Bachmann; these are THE people I have has been In Communion with as I shape My own voice, SO has talk. What I did Finally read, However, because he came out In Swedish In 2021, East Bad Girls, Or The ace Malas, by Camila Sosa Villada. Just as I as has call My book "Magic brutalist,” I would be call hers THE even, because were both functioning with these more fantastic, lyrical, ecstatic, poetic elements And putting them In reality while be very, very brutal about how violent that reality can be. I think Bad Girls East A masterpiece; It is different Since mine In THE topics that he attacks And THE perspective that he attacks them Since, but I felt that What She wrote East such A masterpiece In What It is trying has represent. I to have had several experiences that are closer has What he depicted, which East This community between trans sex workers, but I felt that She did he SO GOOD that I don't do it to have has TO DO he. [Laughs.]

Love THE World Or Get Kill Try East less about trans community that THE introspection of A women WHO arrived has be trans, And that means that A plot of those experiences And thoughts are filtered through that lens, but In general, It is more about exploring universal introspective themes of desire And love And the death; these types of themes that are common In literature, but that trans women to have not has been given THE RIGHT has explore because were always catalog In talk about trans problems.

East there Nothing You particularly hope people take far Since This book?

THE First of all thing East THE literary craftsmanship. I Really to want people has see he as A work of literature And see My Talent as A writer, instead of just saying, "Oh, It is important that A trans women wrote This work." It is THE First of all And first of all important thing, And SO far, reactions I have got to have brought Me A plot of joy, because I was afraid he wouldn't he be SO. THE second thing East THE relationship between right Men And right trans women, because It is A that East SO infected And There is SO a lot heartbreak And SO a lot violence And misunderstanding And false idea. THE desire East everywhere In A trans women life, but publicly It is almost nowhere. This hypocrisy And This divergence needs has END, And I hope My book can be A part of that, not necessarily In THE path that A non-fiction book would be be, but through THE path A fiction book can TO DO that, which East has be SO brutally vulnerable And emotional And TRUE that A bridge East shape between different humans with enormously different of construction positions. I do not have compromise with Nothing that I have writing In THE book; I to have has been extremely TRUE has My own vulnerable humanity, And I think It is Why I have had a lot right, male readers of THE book WHO In fact love he. I think they maybe would be not to have accessed A non-fiction book In THE even path, because non-fiction doesn't TO DO that Rising of emotional building of bridges, which I think East Ultimately What has has be do In order For of construction bridges has be built.

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